The film opens with a scene of the death of a young choir singer in a seminary, evidence pointing to necrophilia. The police suspects
and tortures two students. What follows is a non-linear, fragmented, cinematic collection of images that travel back and forth in time in fine detail at times and just a suggestive glance of other times, thus assisting and obfuscating the viewer in the engagement with the film.
The names of the characters are not mentioned and the time and space are left unspecified. The film has no background score.
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